Sheena

This year I've been getting busier than ever so I've taken on a full-time trainee. She's called Sheena Gillbanks. She's a guitarist, accordion player and general talented musician. She had no previous experience as a luthier but I was struck by her determination and enthusiasm. I get a couple of enquiries a week from people wanting to train as a luthier but she stood out.


Since she has started work I've been impressed with how quickly she picks things up and her 'feel' for the job.





















There's a lot to learn but I'm sure she's going to be a fantastic luthier.


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There's been another (less productive) addition to the MrGlyn's workforce - Sammy the dog.







He's more of a hinderance than a help but he's fun to have around

This is Sammy in November - getting bigger. The little fella's getting quite a fan club around our part of Auckland.

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I am no longer repairing guitars - since covid 19 I now work full time making pickups

www.mrglynspickups.com

Les Paul

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There has been a lot said about the life of Les Paul recently. I'd just like to say - thanks Les

It seems like a good time to show some pics of one of my customer's guitars.

Its a Les Paul Custom that has been carved by hand into a stunning piece of art that also gets gigged.

And this is the man himself signing the headstock.






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I am no longer repairing guitars - since covid 19 I now work full time making pickups

www.mrglynspickups.com

A Typical Week at the Workshop

This time I thought I'd show a typical week at the workshop - the jobs that come in, work that gets done.


I'm not going into any detail about any of the guitars although I might write a bit about some of them at a later date. I just want to show the sort of work I do and the variety of instruments that come in.


I started the week with a partial re-fret on a Guild. The player gigs a lot and the guitar was booked in for Monday morning to be ready to play in public Wednesday night. It needed the first 9 frets replacing and a new Fishman undersaddle pickup.
















The next was a handmade Strat the player was finding a bit heavy. He wanted as much wood removed as possible without it being visible. He was much more concerned with the weight than any tonal difference removing wood may cause.

I get a huge variety of guitars through my hands - this one is a classical with a split top. This was purely a structural job. I glued up the split and fitted cleats to the inside for strength.




















The next is an unusual one. Its Japanese and from the late 60's or 70's but with no name on it. It had a wiring fault resulting in only one pickup working.


This is a Fender Stratocaster Eric Clapton signature model. Its first owner had left a sticker on the pickguard. With time the pickguard faded and now there's a mark. I simply had to change the plate for a new one.













A very unusual German mandolin came in with the top coming away near the tailpiece and in need of some strings and a set up.






I was asked to give a written quote to an insurance company for an Ibanez Artwood that was damaged in transit.







An 80's Carvin - in for a set up





An Epiphone casino - for a set up

























A 60's Levin. This is a beautiful old guitar and in need of major surgery. The truss rod is forcing its way out of the back of the neck. The neck also needs removing to correst a poor neck angle. Gonna be in the workshop a while.






A Corona Strat - set up







A Cort acoustic with splits in the neck




























A Strat put together from 'Realtone' parts - in for a set up























A Fina acoustic guitar in for a replacement EQ. I got a new one from http://www.guitarparts.co.nz/ for $90 - great deal








Gibson SJ200 - this one just had a minor problem with the nut.




















Jay acoustic guitar. This one had the head broken completely off. It's quite a common repair for me. These pics are halfway through the job, I've re-attached the head but haven't cleaned up the lacquer yet.








A Karina parlour guitar with some damage to the lower bout.









A very nice old K.Yairi in need of a new endpin jack socket. I prefere to use Switchcraft jacks whenever I can.







And finally a '97 Fender Strat in for a set up




So these have been the jobs I have had through the workshop in the first week in August '09. There is such a variety of work there's no way I'll ever get bored.
















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I am no longer repairing guitars - since covid 19 I now work full time making pickups

www.mrglynspickups.com