Maxon humbucker?

 

I thought it was going to be a straightforward pickup repair but is this pickup actually a Maxon humbucker?

As part of my work I repair pickups for luthiers. Most guitar repairers don’t wind pickups and even the ones that do often send me pickups to repair, it saves them a lot of time. One such repairer is Auckland’s Ramsay Phillips.

For me repairing pickups is a really interesting part of my job. I enjoy seeing how the basic concept of a magnet and a coil of wire can be made in so many different ways. Back in the 1990’s I first learned about pickups by repairing them and I don’t think that instinct ever leaves. Most of my pickup repair work is very straight forward but occasionally something interesting comes along. This is one of those.

So Ramsay sent me a bridge humbucker from this 1970’s Antoria to repair. I was expecting something like the classic Maxon U-1000 but there was a surprise.

This is not the first Maxon Humbucker I’ve seen I’ve worked on a few old Maxon pickups in my time and they have always deserved their great reputation. So I had a good idea what to expect from this humbucker.

Maxon serial number dating

The number on the base plate of this pickup is a date stamp not a model number though it would be nice to have both.

So to translate the Maxon pickup dating code:

The first number is a production line code

second number is the year, so in this case 1974

third number, the month, so September

and the last 2 are the day, so the 17th

So that tells us its from Sept 17th 1974. I always wonder why manufacturers can’t just write the date plainly instead of a secret code but they all seem to do it.

Something unusual

But there’s something odd here. The pole piece screws don’t extend under the base plate. The 6 holes in the base where I expected to see the poles are blocked by something. Time to get the cover off and see what’s inside.

What’s Inside?

This is exactly what was inside – a single coil disguised as a humbucker! So Maxon humbucker? Well, it’s a Maxon but not a humbucker.

It has the typical floppy nylon bobbin I would expect to see in a Maxon but this one is sitting on top of a large ceramic magnet.

My job here is to fix this pickup so I remove the bobbin and start to carefully remove the sticky old tape.

I remove the hookup wires and try re-soldering them to the winding wire and the pickup comes to life. It was simply a dry joint. This one is showing me 8KOhms on the meter which is in the ballpark of a PAF though it would sound nothing like one.

You can see the metal plate mounted inside the bobbin that connects the short pole screws to the magnet.

So, Maxon humbucker? Well, certainly Maxon but not a humbucker. Beware – not all Maxon pickups are classics.

I’ve had a look on line and can’t find a model number for this pickup. It seems the only distinguishing feature from the outside is the lack of pole screws through the base plate.

If you are interested in vintage humbucker tones check out the Mr Glyn’s ‘Integrity’ humbucker. It comes in 4 flavours or both bridge and neck.

www.mrglynspickups.com

 

 

Precision Bass

Precision Bass split pair is based on the Fenders of the early/mid 60’s. Full and clear with that distinctive mid range that sits well in any mix. It is the essence of bass. It has the woody, full tones we all love. As a stand alone or used with my Jazz Bass bridge pickup as part of a PJ set.

 Alnico V - 10.9 kOhms

www.mrglynspickups.com

Arguably the most important instrument of all of Leo Fender’s creations the Precision bass changed music more than any other instrument. From James Jameson to Steve Harris, the P Bass is surprisingly versatile and has such a distinctive tone.

As with the early pickups this split pair is built to be hum cancelling – the two coils are electrically out of phase but also magnetically out of phase. Here’s an explanation: How Humbuckers Work

With fingers, with a pick and especially with flat wounds.

My Precision Bass pickups are designed to be used with 250 K Ohm pots.

For more P Bass fun: https://mrglynspickups.com/2021/04/06/bass-pickup-re-wind/

Cool 90

 

The Cool 90 is a P90 based pickup available in both Dogear and Soapbar. Designed with Jazz and Blues players in mind it produces a clear, full, well balanced tone. Never harsh, always full and musical.

The bridge pickup has an organic sound with a lower mid push ideally suited to dynamic lead lines and tight rhythm playing.

The neck pickup is clear and chiming with enough clarity to always be heard in the mix. It has that lovely woody tone especially in an archtop.

For the shop and more pickups -  www.mrglynspickups.com

For ‘full fat’ P90 tones have a look at our “Sassy” P90 pickup set.

The Cool 90 Story

Like many of my pickups the Cool 90 started with a repair job. A customer sent be a faulty Gibson P90 out of a 1955 Les Paul Junior. Naturally, I took measurements and completely analyzed every detail of it. Unlike the information in the books (and internet) it had less windings and Alnico II magnets instead of Alnico V.

And what a great sounding pickup it was.

I decided to make my own version of it to compliment the ‘Sassy” P90 pickup I was already making. The Sassy has the classic “full fat” P90 tone, plenty of growl and cut through.

The idea behind the “Cool 90” was to make a lower powered version for the cleaner player. Still keeping the classic P90 character but with less grunt.

Single – “Cool 90” P90 NZ$189 for NZ customers, if you’re overseas it’s GST free; NZ$164.35

Pair – “Cool 90” P90 NZ$369 for NZ customers, if you’re overseas they’re GST free; NZ$320.87

Neck- 6.4 KOhms, 5.45H, Alnico II. Bridge 7.25 KOhms, 6.42H, Alnico II

 

 

 

I also make a humbucker size P90 set – the “Black Sand” if you need some P90 goodness in your humbucker guitar, here’s a link to them: https://mrglynspickups.com/2020/03/29/black-sand-humbucker-sized-p90-neck/

For a full range of demo videos of Mr Glyn’s pickups go to my YouTube channel https://www.youtube.com/c/MrGlynsPickups/featured

Kōkako Strat Pickup

 

The Kōkako Strat Pickup is is strongly influenced by the Fender Stratocaster pickups of the 60’s but with a little more. It has a full yet clear bottom end , smooth highs and clear mids. It’s aimed at players who love the sounds of Frusciante and Hendrix.

The Kōkako set was spawned by a few things coming together in November ’22.

For a while I’ve been offering my Bellbird Strat set with various winding options – 5% under, 5% over or 10% overwound. I’ve been playing with a 10% over wound set in one of my own Strats and for me they have ‘that’ vintage Strat tone that’s perfect with a little dirt be it fuzz or overdrive.

I was sent a Strat pickup to re-wind and the customer told me his ideal sound was Hendrix. I’d just read an article saying how Seymour Duncan had wound some pickups for Hendrix and the spec of those pickups looked very similar to the 10% overwound Bellbirds. 

That got me thinking.

The same day a customer contacted me wanting advice about my pickups and which one would be best for a John Frusciante sound. 

Well, it’s the Bellbird +10%.

Here are the numbers: 

Neck 6.15 KOhms, 2.79H, AlnicoV

Middle 6.15 KOhms,2.79H, AlnicoV

Bridge 6.64 KOhms, 3.08H, AlnicoV

For the shop and more pickups go to :  mrglynspickups.com

I thought this was too good to let go. 

I could have left the pickup as a version of the Bellbird but decided it needed its own life. 

 

My Strat pickups are named after native New Zealand birds like the Bellbird and the Tui; I chose the Kōkako because its song reflects the tonal characteristics of the pickups. I wanted a bird that has a song fatter and fuller sounding than the Bellbird but not as aggressive as the Tui – so Kōkako Strat Pickup it is.

 

 

Here’s the original Bellbird pickup https://mrglynspickups.com/2020/03/29/bellbird-vintage-strat-set/

 

 

And YouTube demos of all my Strat pickups https://www.youtube.com/playlist?list=PLOdXLT6XwMymw8-Kvl1fQi1wfkQ-iDg7z

Telecaster Bass

There is something so unbelievably cool about the Fender Telecaster Bass. 

The classic lines, that headstock, the pickguard, the association with great players and, of course, the tone. 

What ever it is we all love about this great instrument here’s a pickup to do it justice.

 

 

 https://mrglynspickups.com/2022/10/14... 

 Whether you play with fingers or a pick this classic pickup will deliver. 

More present in the mix than the Precision split pair but with that distinctive punch and clarity. This bass is also known as a '51Bass.

 

 Over the years I’ve re-wound a lot of old Fender pickups. I like to make notes to record what I find in these old pickups, wire gauge, insulation types, d.c. resistance, magnetic gauss, dimensions. 

My notebook is getting pretty full. 

This is my constant reference when I’m designing a new pickup, that and my ears. I’ve based these pickups on the best of the old Fenders I’ve come across over the years.

 Not all vintage pickups are great but when you see enough of the good ones patterns begin to form. 

 I still repair pickups and still add to my old notebook, always learning 😎. 

Thanks to Mark Hughes for his playing on this bass pickup demo, he is available for on line lessons http://www.markhughesbass.com/ Telecaster Bass Pickup - Mr Glyn's Pickups

The 5150 Show

 

Had a great time talking with Andrew and Chris from ‘It’s the 5150 Show’ on YouTube.

The 5150 Show is a fantastic channel with in depth discussions on classic albums, guitarists and all things guitar.

You should subscribe.

They’re invited me to have another chat with them in the near future and I’m really keen to take part again. They’re series ‘Rankin The Tracks’ gives great insight into some classic albums. I’ve been really enjoying hearing different views on well loved albums.

There are always new pickups in development as well as a steady supply of interesting old pickups at the workshop for repair. In my blog I try and keep you up to date on new pickups in development as well as writing detailed articles on interesting repairs. I do see quite a few vintage pickups and really enjoy sharing the details of their design and construction. It constantly amazes me how many people are interested in these cool little devices.

All pickup demos are uploaded on YouTube as well as some videos my customers send me. Check out my series Mr Glyn Meets Your Maker where I record conversations with other makers of guitar gear. It’s really interesting hearing how they approach their work. There are so many great makers out there.

Subscribe to my YouTube, follow me on Instagram, ‘Friend’ me on Facebook – I try and update my social media regularly, reply to messages and I won’t spam you.

Mr Glyns Pickups is a small business which means I can communicate with my customers one to one. I’m always happy to discuss your requirements, answer questions and give advice. I want to know about the guitars my pickups are going in, send me pictures, send me recordings.

Feel free to get in touch either HERE or through social media:

Larry and the Trons

 

Larry and the Trons is a short video by Brett Kingman to demonstrate Mr Glyn’s Pickups TheTron pickup set in a Telecaster Cabronita.

I sent him a set of TheTron pickups to make a demo and this is the 4th video he’s made – he must like them.

I designed TheTron pickup set with Gretsch guitars in mind and in particular the lightly overdriven sound of early Malcolm Young. It’s great when a player takes your design and makes you re-think it.

Since Brett fitted his set into a Telecaster Cabronita I’ve changed the spec of these pickups and now offer them in 52mm and 49.2mm spacing to match Fender style bridges. I do try and listen to players whenever I can.

TheTron pickup set is based around the legendary Gretsch pickups Of the 50’s and 60’s. To say TheTron has character is an understatement. TheTron is full and rounded with a well balanced mid range but with that distinctive ‘Clank’ that separates it from other pickups. The neck pickup is clear and fat and the bridge stands out from the mix without ever sounding harsh.

Over the years I’ve repaired a fair few old Gretsch pickups and noticed the best sounding ones are at the upper range for ohms. I’ve taken that design and tweaked it until I got the fullness I was looking for but without loosing clarity or clank.

Most of my pickups are made in collaboration with a professional player, but not TheTron. I started playing guitar at the age of 16 when I first heard Malcolm Young – a Filtertron through an almost clean valve amp. I didn’t feel I needed another set of ears for this one, I knew exactly what I wanted.

I needed this pickup set to be crystal clear with a clean amplifier but to come into its own when pushing an amp to clip. The neck pickup needed to be clear, full and chiming in both a big archtop and in the neck position of a Telecaster. The bridge pickup needed to have no shortage of character, a clean almost jangly tone when played gently but with enough go in it to push the front end of a valve amp to clip when you dig in.

TheTron is the perfect pickup as a Gretsch upgrade, for the modern player wanting something other than Gibson style humbuckers, rockabilly players after that traditional tone, jazz players or, like me, Malcolm Young fans. There’s so much you can to with The Tron.

For the modern player with one foot in the past.

Here’s TheTron’s home page for more info and demos https://mrglynspickups.com/2021/09/22/thetron/

TheTron pickup set is based around the legendary Gretsch pickups Of the 50’s and 60’s. To say TheTron has character is an understatement. TheTron is full and rounded with a well balanced mid range but with that distinctive ‘Clank’ that separates it from other pickups. The neck pickup is clear and fat and the bridge stands out from the mix without ever sounding harsh.

Over the years I’ve repaired a fair few old Gretsch pickups and noticed the best sounding ones are at the upper range for ohms. I’ve taken that design and tweaked it until I got the fullness I was looking for but without loosing clarity or clank.

Most of my pickups are made in collaboration with a professional player, but not TheTron. I started playing guitar at the age of 16 when I first heard Malcolm Young – a Filtertron through an almost clean valve amp. I didn’t feel I needed another set of ears for this one, I knew exactly what I wanted.

I needed this pickup set to be crystal clear with a clean amplifier but to come into its own when pushing an amp to clip. The neck pickup needed to be clear, full and chiming in both a big archtop and in the neck position of a Telecaster. The bridge pickup needed to have no shortage of character, a clean almost jangly tone when played gently but with enough go in it to push the front end of a valve amp to clip when you dig in.

TheTron is the perfect pickup as a Gretsch upgrade, for the modern player wanting something other than Gibson style humbuckers, rockabilly players after that traditional tone, jazz players or, like me, Malcolm Young fans. There’s so much you can to with The Tron.

For the modern player with one foot in the past.

Here’s TheTron’s home page for more info and demos https://mrglynspickups.com/2021/09/22/thetron/

Larry and the Trons https://www.youtube.com/watch?v=ga0qYdh565s